Overall Rating
4.3
By beatlefanlinda
Good Show
Well I went there mainly for Peter Frampton who I thought was just excellent. The sound was incredible and he still has it. I so enjoyed him. I wished the big screens were a little higher and a better picture so I could get a good look at him. He was awesome. I was surprised to remember how many hits Steve Miller Band had. He has quite the following. Though Im not a big fan of his I did enjoy his show and was really happy to have seen him. What a great way to spend a beautiful summer evening. You cant lose with either one of these two bands. Enjoy
By KimmyKatSunshine
Loved the table seating
The tables in the back were great! Loved having a place for drinks. So much room to dance by the tables, too!
By Nooge1234
Steve Miller is a conceited jerk.
I might have liked Steve's set if played any of his decent hits. He opened with "Livin' in the USA" then the set turned to mush as he played a couple of middling hits while proceeding to talk all night. Did a couple of songs with Peter Frampton where Frampton was the clear highlight, as a matter of fact, Framptom should be headlining this tour as he is a far better live act. Miller talked so much and played so little that there were many boos and quite a few people left before we got the hint and did the same. No respect for the audience .
By WHLULU
Would have loved to see Miller without Frampton
I really came to see Steve Miller. Frampton was a little tedious with all his name dropping, he talked too much and didn't play enough numbers that I actually knew. So when Steve Miller came on I was a little disappointed when he invited Frampton back on stage to do a blues set together. For me, the show really started after that part was over. Miller then played well known hits for the rest of the evening. We all had a great time singing and dancing and it ended too soon.
By gaffsigns
Steve Miller and Peter Frampton at Blue Hills Bank
Great show!! Both bands did a wonderful job. It was a nice night on the waterfront in Boston.
By Ephman85
Too Much Talking
When Frampton and Miller actually played music (especially together) they were great. Unfortunately, they both spent way too much time gabbing and name dropping between numbers. Bottom line: stick to the music guys - it's why we all came to see you.
By Anonymous
worst ever I ended up leaving because steve miller could not stop talking
By Bedelia59
Disappointed
Frampton was amazing and awesome however Steve talked way toooooo much! No fault of the venue but it was horribly windy and cold on the waterfront that evening. The speakers and lighting were swaying!! Some retractable sides would have helped
By Linci
Almost boring
I get that these guys are amazing musicians but they apparently do not care about being entertainers. Frampton got up on stage and didn't move 3 feet from the mic. It was as if he could have cared less about being there. Miller was at least a little animated and finally brought the crowd to life with the last few songs. The quality of the side videos was so horrible that even if you just wanted to watch their talent up close, you couldn't.
By LEESCHA
Good show but . . .
Steve Miller band has so many great songs, if only they had spread them throughout their set instead of loading them all at the end. Too much talking, which did not come across well on the PA, i.e. we couldn't understand what he was saying at all, for 10 minutes, and too much filler. Otherwise, a good time! They sound and look great.
Steve Miller has been an enlivening presence on the American music scene for more than half a century - and, in the course of that era, his releases have sold tens of millions of records and been streamed several billion times. Miller's Greatest Hits 1974-78 received the RIAA Diamond Award with sales of more than fifteen million copies. It is among the 25 best-selling albums of all time.
At the start of his career, Miller soon became a mainstay of the San Francisco music scene that upended American culture in the late '60s. With albums like Children of the Future, Sailor and Brave New World, Miller perfected a psychedelic blues sound that drew on the deepest sources of American roots music and simultaneously articulated a compelling vision of what music - and, indeed, society - could be in the years to come.
Then, in the '70s, Miller crafted a brand of pure pop that was smart, polished, exciting and irresistible - and that dominated radio in a way that few artists have ever managed. Hit followed hit in what seemed like an endless flow: "The Joker," "Take the Money and Run," "Rock'n Me," "Fly Like an Eagle," "Jet Airliner," "Jungle Love," "Swingtown" and "Abracadabra," among them. To this day, those songs are instantly recognizable when they crop up online or on the radio - and impossible not to sing along with. Their hooks are the very definition of indelible.
Running through Miller's distinctive catalog is a combination of virtuosity and song craft. And that's no accident. His parents were jazz aficionados - not to mention close friends of Les Paul and Mary Ford - so, as a budding guitarist, Miller absorbed valuable lessons from that musical tradition. When the family moved to Texas, Miller deepened his education in the blues, eventually relocating to Chicago, where he played with Muddy Waters, Howlin' Wolf, Buddy Guy and Paul Butterfield. That range of sources informs his music to this day.
In recent years, Miller has fully immersed himself in the blues and its many byways. As he has always done, he continues to find creative outlets for the full panoply of his musical passions. On his successful tours with the Steve Miller Band, he complements the commercial peaks of his extensive catalogue with lesser-known songs that expand his fans' awareness of the range of his work. As a member of the Board of Directors at Jazz at Lincoln Center, he has curated and headlined a series of shows that explore themes like the bridge from blues to jazz in the music of guitar great T-Bone Walker; the distinctive sounds of the blues triangle of Memphis, Texas and Chicago; the resonances between the singular musical creations of Ma Rainey and Miles Davis; the deep American roots music of Appalachia; and Cannonball Adderley and the Blues. In addition, at the request of Wynton Marsalis, he is defining a blues pedagogy for Jazz at Lincoln Center. He is also a member of the visiting committee of the Department of Musical Instruments at the Metropolitan Museum of Art in New York. Indeed, five of his guitars were displayed in "Play It Loud: The Instruments of Rock and Roll," a groundbreaking exhibition at the Met that ran for six months in 2019. Miller was inducted into the Rock and Roll Hall of Fame in 2016 and has been elected for induction into the Songwriters Hall of Fame in 2022. He has recently begun to open his vaults for the first time, releasing the acclaimed Welcome to the Vault box set in 2019 and Breaking Ground Live! August 3, 1977 in 2021.
With each listen the beauty and immediacy of Miller's work, whether at its most playful or most serious, is palpable. As always, whether he was riding the top of the charts or traveling the endless blue highways of American music, you can hear him playing and singing with conviction and precision, passion and eloquence, making music that is at once immediately accessible, thrillingly alive in the present, respectful of the past, and more than able to stand the test of time. - Anthony DeCurtis