When it comes to multi-hyphenate icons, legendary Jamaican performer Grace Jones stands alone. Singer, actress, model, fashion plate, Bond girl – Jones has done it all with a singular artistic vision that continues to mesmerize and enthrall as she enters her fifth decade as a performer. From her days as an androgynous disco diva to her reign as queen of the new wave and beyond, Jones has remained at the vanguard of music and fashion trends, collaborating with the best producers and designers from both fields to build a legacy of cutting-edge music and visual style that is unquestionably her own. At her incredible live performances Jones is known for stalking the stage with her signature scowl and striking severe poses in outré stagewear while she coos and purrs in her sultry contralto voice over rhythmically seductive classics like "Pull Up to the Bumper" and "I've Seen That Face Before." From the elaborate stage design to the multiple costume changes, Jones pulls out all the stops, delivering a once-in-a-lifetime concert experience that will make even the most casual fan a "Slave to the Rhythm."

BACKGROUND SNAPSHOT:

Grace Jones was born and raised in Spanish Town, Jamaica before moving to New York with her family at age 13. She was picked on in high school for her skinny frame, but at age 18 she signed a modeling contract with Wilhelmina and moved to Paris. After rising to the top of the city's fashion scene and appearing on the covers of Vogue and Elle, she signed to Island Records and released 1977's Portfolio, a collection of disco covers of Broadway classics like "Send in the Clowns" and "Tomorrow." Jones released two more disco albums in the late '70s, but by the early '80s she had moved on to the sounds of reggae and new wave. Her 1981 album Nightclubbing was a global success, cracking the Top 10 in five countries thanks to hits like "I've Seen That Face Before" and "Pull Up to the Bumper." In 1982 she released A One Man Show, a long-form music video collaboration with director Jean-Paul Goude that introduced her striking visual style to the MTV generation and earned her a Grammy nomination. Mainstream acting gigs followed, including a role opposite Arnold Schwarzenegger in the 1984 film Conan the Destroyer and a coveted Bond girl role in 1985's A View to Kill. Her chart success continued in the late '80s with the albums Slave to the Rhythm and Island Life, but by the '90s Jones was focused primarily on acting. She revived her music career after a nearly 20-year studio hiatus in 2008 with Hurricane, an acclaimed return to form produced by Ivor Guest. Since then Jones has continued to do what she does best: slay in concert with epic performances that live up to her outsized reputation.